[n° ou bulletin] est un bulletin de / Bice Curiger| Titre : | 89 - 2011 - Mark Bradford - Charline Von Heyl - Oscar Tuazon - Haegue Yang | | Type de document : | texte imprimé | | Année de publication : | 2011 | | Importance : | 291 p | | Langues : | Anglais (eng) Allemand (ger) | | Index. décimale : | PER périodiques | | Note de contenu : | Charline von Heyl:"Von Heyl's work abides a Zeitgeist. Each singular painting has been relieved of the burden to justify its existence. The freedom gained is that which allows her to explore the limits of what comes through (from mind to hand) about who we are and what lies in the deeper reaches of the psyche. Her oeuvre charts the inconsistencies that abound."
Joan Waltemath
Haegue Yang:"If the 'aesthetic regime' of art since modernism is distinguished by art's refusal to observe the boundary between it and anything else, here the artwork invokes its primordial role of magical or cult object both as phantasmatic origin and in its role of being a kitsch commodity with no use, the sheer arbitrariness which is the contemporary state of the art object's 'aura.' "
Marina Vishmidt
Mark Bradford:"...Bradford's work seem(s) to literally mimic the labor and inherent physical stress that is alluded to in its subject matter, as even cursory observation makes apparent the application of layered materials, décollage, caulking, and sanding that have gone into each one of his often large-scale works. The resulting surfaces are reminiscent of the accidental markings of the street, itself the result of a process of addition and erasure: dirtied, worn-down, bleached, and rinsed in an endlessly repeated cycle of human, industrial, and natural attrition."
Jessica Morgan
Oscar Tuazon:"For Tuazon, a building is defined by what happens within it, not by the way it is designed. He is interested in how a particular way of living within a building's interior can alter the space around its exterior"
Philippe Pirotte
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[n° ou bulletin] est un bulletin de / Bice Curiger89 - 2011 - Mark Bradford - Charline Von Heyl - Oscar Tuazon - Haegue Yang [texte imprimé] . - 2011 . - 291 p. Langues : Anglais ( eng) Allemand ( ger) | Index. décimale : | PER périodiques | | Note de contenu : | Charline von Heyl:"Von Heyl's work abides a Zeitgeist. Each singular painting has been relieved of the burden to justify its existence. The freedom gained is that which allows her to explore the limits of what comes through (from mind to hand) about who we are and what lies in the deeper reaches of the psyche. Her oeuvre charts the inconsistencies that abound."
Joan Waltemath
Haegue Yang:"If the 'aesthetic regime' of art since modernism is distinguished by art's refusal to observe the boundary between it and anything else, here the artwork invokes its primordial role of magical or cult object both as phantasmatic origin and in its role of being a kitsch commodity with no use, the sheer arbitrariness which is the contemporary state of the art object's 'aura.' "
Marina Vishmidt
Mark Bradford:"...Bradford's work seem(s) to literally mimic the labor and inherent physical stress that is alluded to in its subject matter, as even cursory observation makes apparent the application of layered materials, décollage, caulking, and sanding that have gone into each one of his often large-scale works. The resulting surfaces are reminiscent of the accidental markings of the street, itself the result of a process of addition and erasure: dirtied, worn-down, bleached, and rinsed in an endlessly repeated cycle of human, industrial, and natural attrition."
Jessica Morgan
Oscar Tuazon:"For Tuazon, a building is defined by what happens within it, not by the way it is designed. He is interested in how a particular way of living within a building's interior can alter the space around its exterior"
Philippe Pirotte
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