| Titre : | Ends of the earth : land art to 1974 ; [exhibition presented at The Museum of contemporary art, Los Angeles, May 27-August 20, 2012, and the Haus der Kunst, Munich, October 12, 2012-January 20, 2013 | | Type de document : | texte imprimé | | Auteurs : | Philipp Kaiser, Auteur | | Editeur : | Los Angeles (Calif.) : The Museum of contemporary art | | Année de publication : | cop. 2012 | | Importance : | 1 vol. (263 p.) | | Présentation : | ill. en noir et en coul., plans, couv. ill. | | Format : | 25 cm | | ISBN/ISSN/EAN : | 978-3-7913-5194-0 | | Prix : | 55 € | | Langues : | Anglais (eng) | | Index. décimale : | CAT exp Catalogues d'expositions | | Résumé : | This book traces the origins of the artistic impulses to use the earth as a medium and to locate works in remote sites, far from familiar art contexts. In doing so, Ends of the Earth will challenge the ideas that Land art was primarily a North American phenomenon, that it was foremost a sculptural practice, and that it sought an articulation outside the confines of the gallery. Essays by leading scholars will discuss the origins of Land art, its intrinsic connection to media, the attraction of wastelands, and the problems inherent in a historical evaluation of site-specific works. | | En ligne : | http://www.moca.org/landart/ |
Ends of the earth : land art to 1974 ; [exhibition presented at The Museum of contemporary art, Los Angeles, May 27-August 20, 2012, and the Haus der Kunst, Munich, October 12, 2012-January 20, 2013 [texte imprimé] / Philipp Kaiser, Auteur . - Los Angeles (Calif.) : The Museum of contemporary art, cop. 2012 . - 1 vol. (263 p.) : ill. en noir et en coul., plans, couv. ill. ; 25 cm. ISBN : 978-3-7913-5194-0 : 55 € Langues : Anglais ( eng) | Index. décimale : | CAT exp Catalogues d'expositions | | Résumé : | This book traces the origins of the artistic impulses to use the earth as a medium and to locate works in remote sites, far from familiar art contexts. In doing so, Ends of the Earth will challenge the ideas that Land art was primarily a North American phenomenon, that it was foremost a sculptural practice, and that it sought an articulation outside the confines of the gallery. Essays by leading scholars will discuss the origins of Land art, its intrinsic connection to media, the attraction of wastelands, and the problems inherent in a historical evaluation of site-specific works. | | En ligne : | http://www.moca.org/landart/ |
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