Documents disponibles chez cet éditeur

Pipilotti Rist / Peggy Phelan

Public ISBD Titre : Pipilotti Rist Type de document : texte imprimé Auteurs : Peggy Phelan, Auteur ; Hans Ulrich Obrist, Auteur ; Elisabeth Bronfen, Auteur Editeur : London : Phaidon Press Année de publication : cop. 2001 Importance : 160 p. Présentation : ill. en noir et en coul. Format : 29 cm ISBN/ISSN/EAN : 978-0-7148-3965-3 Note générale : Bibliogr., 1 p. Langues : Anglais (eng) Mots-clés : vidéo  performance Index. décimale : MON Monographie Pipilotti Rist [texte imprimé] / Peggy Phelan, Auteur ; Hans Ulrich Obrist, Auteur ; Elisabeth Bronfen, Auteur . - London : Phaidon Press, cop. 2001 . - 160 p. : ill. en noir et en coul. ; 29 cm. ISBN : 978-0-7148-3965-3 Bibliogr., 1 p. Langues : Anglais (eng) Mots-clés : vidéo  performance Index. décimale : MON Monographie

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
04944	MON RIS	Livre	Bibliothèque de l'EeSI	Monographie	Disponible

Lawrence Weiner / Alexander Alberro ; Alice Zimmerman

Public ISBD Titre : Lawrence Weiner Type de document : texte imprimé Auteurs : Alexander Alberro ; Alice Zimmerman Mention d'édition : 1st ed. Editeur : London : Phaidon Press Année de publication : 1998 Importance : 160 p. Présentation : ill. (some col.) Format : 29 cm ISBN/ISSN/EAN : 0-7148-3755-5 Langues : Anglais (eng) Index. décimale : MON Monographie Note de contenu : Interview Benjamin H.D. Buchloh in conversation with Lawrence Weiner Alexander Alberro Alice Zimmerman Survey NOT HOW IT SHOULD WERE IT TO BE BUILT BUT HOW IT COULD WERE IT TO BE BUILT David Batchelor Focus MANY COLORED OBJECTS PLACED SIDE BY SIDE TO FORM A ROW OF MANY COLORED OBJECTS W.B. Yeats Artist's Choice An Irish Airman Foresees His Death, Kenneth Patchen When in the Course of Human Events, 1936 Lawrence Weiner Artist's Writings Art Without Space, 1969 Notes from the California Lectures, 1981 I Am Not Content, 1982 Notes on a Table, 1988 The Need of a Place (a Table) to Present What is Done, A Public Conversation with Willard Holmes, Notes On & About Art, 1995 A Translation From One Language To Another, Intervention, 1997 Chronology Bibliography, List of Illustrations Lawrence Weiner [texte imprimé] / Alexander Alberro ; Alice Zimmerman  . -  1st ed. . - London : Phaidon Press, 1998 . - 160 p. : ill. (some col.) ; 29 cm. ISBN : 0-7148-3755-5 Langues : Anglais (eng) Index. décimale : MON Monographie Note de contenu : Interview Benjamin H.D. Buchloh in conversation with Lawrence Weiner Alexander Alberro Alice Zimmerman Survey NOT HOW IT SHOULD WERE IT TO BE BUILT BUT HOW IT COULD WERE IT TO BE BUILT David Batchelor Focus MANY COLORED OBJECTS PLACED SIDE BY SIDE TO FORM A ROW OF MANY COLORED OBJECTS W.B. Yeats Artist's Choice An Irish Airman Foresees His Death, Kenneth Patchen When in the Course of Human Events, 1936 Lawrence Weiner Artist's Writings Art Without Space, 1969 Notes from the California Lectures, 1981 I Am Not Content, 1982 Notes on a Table, 1988 The Need of a Place (a Table) to Present What is Done, A Public Conversation with Willard Holmes, Notes On & About Art, 1995 A Translation From One Language To Another, Intervention, 1997 Chronology Bibliography, List of Illustrations

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
04219	MON WEI	Livre	Bibliothèque de l'EeSI	Monographie	Disponible
04220	MON WEI	Livre	Bibliothèque de l'EeSI	Monographie	Exclu du prêt

Carl Andre / Alistair Rider

Public ISBD Titre : Carl Andre : things in their elements Type de document : texte imprimé Auteurs : Alistair Rider, Auteur Editeur : London : Phaidon Press Année de publication : 2011 Importance : 1 vol. (272 p.) Présentation : ill. en noir et en coul. Format : 30 cm ISBN/ISSN/EAN : 978-0-7148-4922-5 Langues : Anglais (eng) Index. décimale : MON Monographie Résumé : The American minimalist artist Carl Andre (born 1935) is perhaps best known for his sculptures made from square metal plates placed in grid-like formations, lying flat on the surface of the ground. Yet over the course of five decades Andre's output has been immense - encompassing large, outdoor artworks ; ephemeral installations ; scavenged objects ; precisely formed precious metals ; photography ; and a significant body of poetry. Alistair Rider explores how at the heart of Andre's vision lies a commitment to seeing things as elements as separable self-contained units. By isolating forms for contemplation, Andre allows the richness of their materiality to emanate. Andre first entered the public eye in the mid 1960s with a series of works so profoundly simple in their form and arrangement that they helped redefine sculpture for a whole new generation of artists. His most significant contribution was to distance the medium from processes of carving, modelling or constructing, and to make art simply by sorting and positioning. Rider here divides Andre's works into the key themes and series that have shaped the development of his career, exploring how each has Brown from a nexus of profound intellectual preoccupations. Andre's poetry is also given a fresh re-consideration within the context of his oeuvre, making this a uniquely comprehensive understanding of the artist and his achievement. Carl Andre : things in their elements [texte imprimé] / Alistair Rider, Auteur . - London : Phaidon Press, 2011 . - 1 vol. (272 p.) : ill. en noir et en coul. ; 30 cm. ISBN : 978-0-7148-4922-5 Langues : Anglais (eng) Index. décimale : MON Monographie Résumé : The American minimalist artist Carl Andre (born 1935) is perhaps best known for his sculptures made from square metal plates placed in grid-like formations, lying flat on the surface of the ground. Yet over the course of five decades Andre's output has been immense - encompassing large, outdoor artworks ; ephemeral installations ; scavenged objects ; precisely formed precious metals ; photography ; and a significant body of poetry. Alistair Rider explores how at the heart of Andre's vision lies a commitment to seeing things as elements as separable self-contained units. By isolating forms for contemplation, Andre allows the richness of their materiality to emanate. Andre first entered the public eye in the mid 1960s with a series of works so profoundly simple in their form and arrangement that they helped redefine sculpture for a whole new generation of artists. His most significant contribution was to distance the medium from processes of carving, modelling or constructing, and to make art simply by sorting and positioning. Rider here divides Andre's works into the key themes and series that have shaped the development of his career, exploring how each has Brown from a nexus of profound intellectual preoccupations. Andre's poetry is also given a fresh re-consideration within the context of his oeuvre, making this a uniquely comprehensive understanding of the artist and his achievement.

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
07640	MON AND	Livre	Bibliothèque de l'EeSI	Monographie	Disponible