| Titre : | Feminist worldmaking and the moving image : [exposition, Berlin, Haus der Kulteren der Welt (HKW), 19 juin - 28 août 2022] | | Type de document : | texte imprimé | | Auteurs : | Erika Balsom ; Hila Peleg | | Editeur : | Cambridge, Massachusetts : The MIT Press | | Année de publication : | 2022 | | Autre Editeur : | Berlin : Haus der Kulteren der Welt (HKW) | | Importance : | 1 vol. (512 p.) | | Présentation : | ill. en coul., couv. ill. en coul. | | Format : | 24 cm | | ISBN/ISSN/EAN : | 978-0-262-54452-8 | | Prix : | 36 EUR | | Note générale : | Publié à l'occasion de l'exposition No Master Territories : Feminist Worldmaking and the Moving Image à la Haus der Kulteren der Welt (HKW), à Berlin, du 19 juin au 28 août 2022 | | Langues : | Anglais (eng) | | Mots-clés : | féminisme intersectionnalité cinéma | | Index. décimale : | VID vidéo | | Résumé : | This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it.
The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. | | Note de contenu : | Avec les textes de
Helena Amiradżibi, Madeleine Bernstorff, Teresa Castro, Counter Encounters (Laura Huertas Millán, Onyeka Igwe, Rachael Rakes), Ayanna Dozier, Forough Farrokhzad, Safi Faye, Devika Girish, Elena Gorfinkel, Haneda Sumiko, Shai Heredia, Juliet Jacques, Sarah Keller, Nzingha Kendall, Julia Lesage, Beatrice Loayza, Janaína Oliveira, Lakshmi Padmanabhan, Yasmina Price, Elizabeth Ramírez-Soto, Pooja Rangan, Lis Rhodes, Sara Saljoughi, Rasha Salti, Isabel Seguí, Chick Strand, Monika Talarczyk, Trinh T. Minh-ha, Françoise Vergès, Claudia von Alemann, Mitsuyo Wada-Marciano, Shilyh Warren, Giovanna Zapperi |
Feminist worldmaking and the moving image : [exposition, Berlin, Haus der Kulteren der Welt (HKW), 19 juin - 28 août 2022] [texte imprimé] / Erika Balsom ; Hila Peleg . - Cambridge, Massachusetts : The MIT Press : Berlin : Haus der Kulteren der Welt (HKW), 2022 . - 1 vol. (512 p.) : ill. en coul., couv. ill. en coul. ; 24 cm. ISBN : 978-0-262-54452-8 : 36 EUR Publié à l'occasion de l'exposition No Master Territories : Feminist Worldmaking and the Moving Image à la Haus der Kulteren der Welt (HKW), à Berlin, du 19 juin au 28 août 2022 Langues : Anglais ( eng) | Mots-clés : | féminisme intersectionnalité cinéma | | Index. décimale : | VID vidéo | | Résumé : | This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it.
The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. | | Note de contenu : | Avec les textes de
Helena Amiradżibi, Madeleine Bernstorff, Teresa Castro, Counter Encounters (Laura Huertas Millán, Onyeka Igwe, Rachael Rakes), Ayanna Dozier, Forough Farrokhzad, Safi Faye, Devika Girish, Elena Gorfinkel, Haneda Sumiko, Shai Heredia, Juliet Jacques, Sarah Keller, Nzingha Kendall, Julia Lesage, Beatrice Loayza, Janaína Oliveira, Lakshmi Padmanabhan, Yasmina Price, Elizabeth Ramírez-Soto, Pooja Rangan, Lis Rhodes, Sara Saljoughi, Rasha Salti, Isabel Seguí, Chick Strand, Monika Talarczyk, Trinh T. Minh-ha, Françoise Vergès, Claudia von Alemann, Mitsuyo Wada-Marciano, Shilyh Warren, Giovanna Zapperi |
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Feminist worldmaking and the moving image
