Titre : | Alternative art New York, 1965-1985 : a Cultural Politics Book for the Social Text Collective | Type de document : | texte imprimé | Auteurs : | Julie Ault, Editeur scientifique | Editeur : | Minneapolis, MN : University of Minnesota Press | Année de publication : | 2002 | Collection : | Cultural Politics | Importance : | 1 vol. (IX, 396 p.) | Présentation : | ill. | Format : | 26 cm | ISBN/ISSN/EAN : | 0-8166-3793-8 | Prix : | 30 EUR | Note générale : | Index p.371 | Langues : | Anglais (eng) Langues originales : Anglais (eng) | Mots-clés : | scène alternative artistique new yorkaise | Index. décimale : | HIST THE Histoire et théorie de l'art | Résumé : | By the mid-1960s, New York's art establishment -- its major museums and galleries -- had ceased to reflect the city's diversity and had largely ignored the decade's social, political, and cultural ferment. In response, marginalized artists created an oppositional network of organizations, exhibit spaces, and cooperative galleries that both paralleled and challenged the status quo. (note de l'éditeur) | Note de contenu : | Contributions de Martin Beck, Juli Carson, Jim Cornwell, David Deitcher, Arlene Goldbard, Miwon Kwon, Lucy R.Lippard, Alan Moore, Brian Wallis |
Alternative art New York, 1965-1985 : a Cultural Politics Book for the Social Text Collective [texte imprimé] / Julie Ault, Editeur scientifique . - Minneapolis, MN : University of Minnesota Press, 2002 . - 1 vol. (IX, 396 p.) : ill. ; 26 cm. - ( Cultural Politics) . ISBN : 0-8166-3793-8 : 30 EUR Index p.371 Langues : Anglais ( eng) Langues originales : Anglais ( eng) Mots-clés : | scène alternative artistique new yorkaise | Index. décimale : | HIST THE Histoire et théorie de l'art | Résumé : | By the mid-1960s, New York's art establishment -- its major museums and galleries -- had ceased to reflect the city's diversity and had largely ignored the decade's social, political, and cultural ferment. In response, marginalized artists created an oppositional network of organizations, exhibit spaces, and cooperative galleries that both paralleled and challenged the status quo. (note de l'éditeur) | Note de contenu : | Contributions de Martin Beck, Juli Carson, Jim Cornwell, David Deitcher, Arlene Goldbard, Miwon Kwon, Lucy R.Lippard, Alan Moore, Brian Wallis |
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