| Titre : | A dictionary of color combinations : Taisho showa no shikisai noto | | Type de document : | texte imprimé | | Auteurs : | Seigensha, Kabushiki Kaisha, Auteur ; Sanzo Wada (1883-1967), Auteur | | Editeur : | Kyoto : Seigensha Art Publishing | | Année de publication : | 2010 | | Autre Editeur : | Seigensha | | Importance : | 1 vol. (281 pages, 71 planches) | | Présentation : | ill. en coul., couv. ill. en coul. | | Format : | 15 cm | | ISBN/ISSN/EAN : | 978-4-86152-247-5 | | Prix : | 17,50 EUR | | Langues : | Japonais (jpn) Anglais (eng) | | Index. décimale : | COU couleur | | Résumé : | This book is a collection of 348 color combinations originated by Sanzo Wada(1883-1967) who, in that time of increasingly avant-grade and diversified use of color, was quick to focus on the importance of color and laid the foundation for contemporary color research. Sanzo Wada was active as an artist, art school instructor, costume designer for the movies and the theater, and kimono and fashion designer who employed his extensive and versatile talents to do innovative work that centered primarily on visual perception and form. |
A dictionary of color combinations : Taisho showa no shikisai noto [texte imprimé] / Seigensha, Kabushiki Kaisha, Auteur ; Sanzo Wada (1883-1967), Auteur . - Kyoto : Seigensha Art Publishing : [S.l.] : Seigensha, 2010 . - 1 vol. (281 pages, 71 planches) : ill. en coul., couv. ill. en coul. ; 15 cm. ISBN : 978-4-86152-247-5 : 17,50 EUR Langues : Japonais ( jpn) Anglais ( eng) | Index. décimale : | COU couleur | | Résumé : | This book is a collection of 348 color combinations originated by Sanzo Wada(1883-1967) who, in that time of increasingly avant-grade and diversified use of color, was quick to focus on the importance of color and laid the foundation for contemporary color research. Sanzo Wada was active as an artist, art school instructor, costume designer for the movies and the theater, and kimono and fashion designer who employed his extensive and versatile talents to do innovative work that centered primarily on visual perception and form. |
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