Documents disponibles écrits par cet auteur

Adrian Piper / Christophe Cherix

Public ISBD Titre : Adrian Piper : a synthesis of intuitions, 1965-2016 ; [exhibition, New York, Museum of Modern Art, 31 mars - 22 juillet 2018] Type de document : texte imprimé Auteurs : Christophe Cherix, Directeur de publication, rédacteur en chef ; Cornelia H. Butler (1963-....), Directeur de publication, rédacteur en chef ; David Platzker (1965-....), Directeur de publication, rédacteur en chef ; The Museum of Modern Art, Collectivité éditrice ; Hammer Museum, Collectivité éditrice ; Haus der Kunst, Collectivité éditrice Editeur : New York : MOMA Année de publication : 2019 Importance : 1 vol. (349 p.) Présentation : ill. en coul. Format : 31 cm ISBN/ISSN/EAN : 978-1-633-45049-3 Prix : 68 EUR Note générale : Publié à l'occasion de l'exposition "Adrian Piper : a Synthesis of Intuitions, 1965-2016" au Museum of Modern Art, New York, du 31 mars au 22 juillet 2018 ; au Hammer Museum, Los Angeles, du 30 septembre 2018 au 6 janvier 2019 ; au Haus der Kunst, Munich, du 12 avril au 22 septembre 2019 Langues : Anglais (eng) Mots-clés : art conceptuel  Etats-Unis Index. décimale : MON Monographie Résumé : Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums : works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness ; the introduction of the Mythic Being - her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper's pivotal position among her peers and for later generations Adrian Piper : a synthesis of intuitions, 1965-2016 ; [exhibition, New York, Museum of Modern Art, 31 mars - 22 juillet 2018] [texte imprimé] / Christophe Cherix, Directeur de publication, rédacteur en chef ; Cornelia H. Butler (1963-....), Directeur de publication, rédacteur en chef ; David Platzker (1965-....), Directeur de publication, rédacteur en chef ; The Museum of Modern Art, Collectivité éditrice ; Hammer Museum, Collectivité éditrice ; Haus der Kunst, Collectivité éditrice . - New York : MOMA, 2019 . - 1 vol. (349 p.) : ill. en coul. ; 31 cm. ISBN : 978-1-633-45049-3 : 68 EUR Publié à l'occasion de l'exposition "Adrian Piper : a Synthesis of Intuitions, 1965-2016" au Museum of Modern Art, New York, du 31 mars au 22 juillet 2018 ; au Hammer Museum, Los Angeles, du 30 septembre 2018 au 6 janvier 2019 ; au Haus der Kunst, Munich, du 12 avril au 22 septembre 2019 Langues : Anglais (eng) Mots-clés : art conceptuel  Etats-Unis Index. décimale : MON Monographie Résumé : Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums : works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness ; the introduction of the Mythic Being - her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper's pivotal position among her peers and for later generations

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
12464	MON PIP	Livre	Bibliothèque de l'EeSI	Monographie	Disponible

Design and violence / The Museum of Modern Art

Public ISBD Titre : Design and violence Type de document : texte imprimé Auteurs : The Museum of Modern Art, Editeur scientifique ; Paola Antonelli (1963-....), Auteur ; Jamer Hunt (-....), Auteur Editeur : New York : MOMA Année de publication : 2015 Importance : 1 vol. (232 p.) Présentation : ill. en noir et en coul., cartes, plans Format : 27 cm ISBN/ISSN/EAN : 978-0-87070-968-5 Note générale : Publié à l'occasion de l'exposition "Design and Violence" en ligne sur le site du Museum of Modern Art, New York, http://designandviolence.moma.org organisée par Paola Antonelli, conservatrice principale et Jamer Hunt, directeuravec Michelle Millar Fisher, assistante de conservation. "Born first as an online platform, and then as a series of public debates, 'Design and Violence' organized by Paola Antonelli and Jamer Hunt, examines the ways in which violence manifests in the post-2001 landscape and asks what makes these manifestations unique to their era." "'Design and Violence' is not a gallery-based exhibition simply translated online. From our earliest conversations, we conceived it as a platform for multiple projects--a series of public debates, a set of academic course materials, a symposium and this book, for instance--with the website as anchor." Langues : Anglais (eng) Index. décimale : CAT exp Catalogues d'expositions Résumé : Design has a history of violence, yet professional discourse around design has been dominated by voices that only trumpet its commercial and aesthetic successes. Violence, defined here as the manifestation of the power to alter circumstances against the will of others and to their detriment, has always been ubiquitous, and in recent years technology has introduced dramatic new threats. Design and Violence sheds light on the complex impact of design on the built environment and on everyday life, as well as on the forms of violence in contemporary society. Published to accompany an online experiment launched by The Museum of Modern Art in 2013, this book brings together controversial, provocative, and compelling design projects with leading voices from the fields of art and design, science, law, criminal justice, ethics, finance, journalism, and social justice. Each author responds to one object--ranging from an AK-47 to a Euthanasia Rollercoaster, from plastic handcuffs to the Stuxnet digital virus--sparking dialogue, reflection, and debate. These experimental and wide-ranging conversations make Design and Violence an invaluable resource for lively discussions and classroom curricula. Design and violence [texte imprimé] / The Museum of Modern Art, Editeur scientifique ; Paola Antonelli (1963-....), Auteur ; Jamer Hunt (-....), Auteur . - New York : MOMA, 2015 . - 1 vol. (232 p.) : ill. en noir et en coul., cartes, plans ; 27 cm. ISBN : 978-0-87070-968-5 Publié à l'occasion de l'exposition "Design and Violence" en ligne sur le site du Museum of Modern Art, New York, http://designandviolence.moma.org organisée par Paola Antonelli, conservatrice principale et Jamer Hunt, directeuravec Michelle Millar Fisher, assistante de conservation. "Born first as an online platform, and then as a series of public debates, 'Design and Violence' organized by Paola Antonelli and Jamer Hunt, examines the ways in which violence manifests in the post-2001 landscape and asks what makes these manifestations unique to their era." "'Design and Violence' is not a gallery-based exhibition simply translated online. From our earliest conversations, we conceived it as a platform for multiple projects--a series of public debates, a set of academic course materials, a symposium and this book, for instance--with the website as anchor." Langues : Anglais (eng) Index. décimale : CAT exp Catalogues d'expositions Résumé : Design has a history of violence, yet professional discourse around design has been dominated by voices that only trumpet its commercial and aesthetic successes. Violence, defined here as the manifestation of the power to alter circumstances against the will of others and to their detriment, has always been ubiquitous, and in recent years technology has introduced dramatic new threats. Design and Violence sheds light on the complex impact of design on the built environment and on everyday life, as well as on the forms of violence in contemporary society. Published to accompany an online experiment launched by The Museum of Modern Art in 2013, this book brings together controversial, provocative, and compelling design projects with leading voices from the fields of art and design, science, law, criminal justice, ethics, finance, journalism, and social justice. Each author responds to one object--ranging from an AK-47 to a Euthanasia Rollercoaster, from plastic handcuffs to the Stuxnet digital virus--sparking dialogue, reflection, and debate. These experimental and wide-ranging conversations make Design and Violence an invaluable resource for lively discussions and classroom curricula.

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
11985	CAT exp DES	Livre	Bibliothèque de l'EeSI	Arts Graphiques	Disponible